“The Best New Band In America?” – Pop Matters
“They Came, They Saw, They Kicked Our Ass” – Consequence Of Sound
“The band, particularly frontman Ziek McCarter , have got spirit in droves. McCarter's voice recalls Bruno Mars, Prince and Michael Jackson and he moves like an electric eel, taking off his shirt and getting down to do the splits with crowd-pleasing regularity.” – Sydney Morning Herald
The night before Con Brio headed into the studio to record their first full-length album, 23-year-old Ziek McCarter had a dream. In it, the singer received a visit from his father, an Army veteran who died at the hands of East Texas police in 2011. His father delivered an invitation: Come with me to paradise.
McCarter woke up with a song in his bones. “It was one of the most spiritual moments of my life,” he recalls. It was up to him, he knew, to rise above injustice, and to perform in a way that lifted up those around him as well. To make Con Brio’s music a place of serenity, compassion -- even euphoria -- right here on earth.
Paradise, which saw the San Francisco band teaming with legendary producer Mario Caldato Jr. (Beastie Boys, Beck, Seu Jorge), is the result: a declaration of independence you can dance to; an assertion of what can happen when the human spirit is truly free.
Formed in 2013, Con Brio is the offspring of seven musicians with diverse backgrounds but a shared love for the vibrant Bay Area funk and psychedelic-soul sound pioneered by groups like Sly & the Family Stone.
By 2015, when the band self-produced their debut EP, Kiss the Sun, Con Brio had already become a West Coast institution on the strength of their magnetic live show, with McCarter’s swiveling hips, splits and backflips earning him frequent comparisons to a young Michael Jackson or James Brown.
After a busy 2015 spent touring the U.S. and Europe, playing alongside veterans Galactic and Fishbone, and racking up critical acclaim on proving grounds like Austin City Limits -- where PopMatters declared Con Brio “the best new live band in America” -- they headed home to parlay their momentum, chemistry and tight live sound into a full-length record.
In an era when much has been made of the “death of the album,” there’s no question that Paradise, out DATE HERE on LABELS, is a fully-formed journey -- a trip made all the more immersive by Caldato’s raw, live style of production. “We tried to create a narrative in the studio, in the same way that we segue between songs live,” explains McCarter of the record’s arc.
From the first primal wail of Benjamin Andrews’ electric guitar on the title track -- Paradise is bookended by intro and outro versions -- the album tells a story about modern life through its contradictions: “Liftoff” speaks of an urge to fly, to transcend the day-to-day with a starry, bird’s-eye view. “Hard Times” brings us crashing back to earth with the struggles of city life, inequality, and a fractured society desperate for healing. “Money” is a revolution, a rejection of societal pressure to equate success with a paycheck and abandon one’s dreams in the process.